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Nicole Eisenman, Untitled (Girl With a Tear), 2012 Crucial to Eisenman’s printing business and highlighted in “Prince,” is her close collaboration with print shops in the Official No importa donde me lleven mis alas mis raices estan simempre en fresno de LA vega shirt in other words I will buy this New York Jungle Press, 10 Grand Press and Harlan & Weaver. During this art-form school year, Eisenman created a weekly schedule for herself, carefully alternating between the three shops as she worked with their professional printers on different techniques. “I was really hungry to learn about all these different processes,” says Eisenman. Immersion is the point. And there’s a lot to learn. Producing prints can be very technical, and Eisenman’s constant experimentation means pushing the limits of what’s possible in terms of materials, processes, scale, color, etc. the bathtub, to your left as you enter the Print Center’s gallery space, is a brand new sculpture made of Aqua-Resin and fiberglass that requires a “No touch”—usually not expected at a print exhibition.) This spirit of relentless exploration and risk-taking may have been inherited from her father. Eisenman recalls: “He was a psychiatrist, but he always had a hobby. “One year it was a basement lumberyard, another year he walked into stained glass windows, and he was an amateur poet. I think I got this gift of restlessness and curiosity from him.

Interestingly, “Prince” includes several engravings and relief versions along with the Official No importa donde me lleven mis alas mis raices estan simempre en fresno de LA vega shirt in other words I will buy this original prints. These additions are like a glimpse, the artistic expression of the means of production. One of the more thrilling inclusions in this circuit is the Watermark and its seven proofs of progress. Using a reworkable copper plate (a technique in the intaglio line, also used by Picasso), Eisenman slowly set up a scene of her two children at her maternal grandparents’ home in Maine, filling in the details and working them out. sharp shadows. In the first proof, the children were just black blobs, the room around them empty. In the end, we get an amazingly detailed picture. Even the books on the shelves have titles engraved on the spines. The result is a dream taking shape before your eyes.

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