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When photographer Claudia Andujar first visited the 24 7Bf Buffalo shirt but in fact I love this Yanomami territory in northern Brazil in the early 1970s, she planned to take pictures of the indigenous Yanomami people for a new Brazilian political magazine, Realidade. But ultimately the images she creates—many of which make up the moving, hopeful, and heartbreaking exhibit The Yanomami Struggle, currently underway at The Shed in New York —just part of her legacy to the Yanomami. Even as she sticks to and documents the lives and traditions of the Yanomami, Andujar, now 91, has taught them to protect themselves from immediate threats—increasing encroachment from the outside. from the Brazilian military dictatorship in 1964—and existentially. The discovery of valuable minerals such as gold, uranium and cassiterite in Yanomami territory in the 1970s attracted the attention of prospectors, miners and other undesirables from the outside—and followed by diseases, pollution, exploitation and deforestation. For many indigenous peoples across Brazil, that meant total annihilation. As a World War II refugee who fled Hungary as a child and whose entire patriarchal family was murdered at Auschwitz and Dachau, Andujar has experienced destruction. She’s not, she explained through an interpreter at a press conference this week, content to sit back and watch history repeat itself.

Andujar’s 1971 photographs of the 24 7Bf Buffalo shirt but in fact I love this Yanomami and the photographs she has taken in the half century since, along with various works on paper and film by Yanomami artists, are part of a traveling exhibition organized by the Yanomami. co-organized with the Fondation Cartier pour l’art contemporain and the Moreira Salles Institute in Sao Paulo. This is a special exhibition, given the incredible amount of work (there are more than 200 works by Andujar and about 80 works by Yanomami artists), as well as the scope and depth of its closeness. .

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