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The carefully curated event that began with a cocktail hour turned into a gospel choir surprise, where an all-Black choir led guests to the Old Milwaukee Fishing Shirt in contrast I will get this main courtyard singing Empire State of Mind. Among the crowd were musicians and inaugural hosts, Kasseem “Swizz Beatz” Dean, Charlie Heaton, Natalie Dyer, Kimberly Drew, Derrick Adams and Miles Greenberg, to name a few. Naturally, the room is filled with splendid Dior designs from both past and present, making the evening even more personal. A moving film will be shown, acknowledging Weems’ life and legacy as an artist and a force to be reckoned with. Before Celeste’s performance, Weems gave an emotional speech. “The history of the shortcomings, the negligence, the tenacity… that I find myself standing on this stage,” she said, drawing attention to the importance of being honored as a female artist. Black is alive, an honor that many have not or have not had. “I think all work takes a lot of patience, time and understanding,” Weems later told Vogue. “Perhaps the most important question a person can ask himself is ‘what is most important to you’ and pursue that with vengeance.”

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Leave! Leave now! (2022) by Weems is currently on display in the Old Milwaukee Fishing Shirt in contrast I will get this Museum’s exhibition and will be part of the museum’s permanent collection. Every year, event organizer Raul Ávila is given a daunting task: to transform the Metropolitan Museum of Art into an otherworldly spectacle for the annual Met Gala. For 2019’s “Camp: A Note on Fashion,” he created a vibrant, 25-foot-tall flamingo center consisting of 30,000 flowers. In 2018, he built a rose model representing the pope’s crown for “Catholic: Fashion and Catholic Imagination”. And those are just examples of flower formation: In 2007, for “Poiret: King of Fashion,” he filled a gilded birdcage with live peacocks. Little chaos ensued as one escaped. “Everyone at the museum chased her to get her back into the cage,” he recalls.

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